New KRK Monitors

The importance of High Quality reliable speakers to listen to all day and make decisions with cannot be underestimated. The Control Room in Studio A now has 4 great reference monitor choices, the brand new Generation 3 KRK Rokit 8's, Classic Original Yamaha NS10's (running from a Perreaux Amp plus Sony 18" Sub, Klipsch Heresy 3 way Mid Fields with Ashley Amp and Fostex 6301's.
The Red Stairs is keeping up with its own NS10's from a Crown Amp, Event Opals, Auratones and a pair of Truth's.
Plus of course with the handy parking right outside the front door bands can still race out to their very own listening enviroments that have also stood the test of time - the trusty car stereo!!.

Recent Sessions July

We are celebrating one of our fave regular bands ‘Big White’ just being signed this week to Caroline/Universal and their song You Know I love You – mixed by Russ being added to FBI on high rotation.
Most recently in July - Some notable sessions amongst the many include Andrew working on the Thunderbird double bass overdubs with Jazz bass player Brendan Clarke, Jack Wotton(Big White) cranking up his solo project with Russ. Yond Blue, Urban Guerillas, Julian Ardas also with Russ and Andrew producing and engineering the new record from Melbourne Artist James Kyle. Finally Sydney boys Eugene start a 2" Tape based EP with Russ this week.

.

Recent Sessions March 2015


The Studio has seen a wealth of sessions over the past few weeks.
Sinead Burgess (pictured) has been working on 3 songs for ABC Records(Universal) along with shooting a behind the scenes of the recording for Youtube
so theres been a massive live tracking set up as well as a film crew hanging out with Russ T Rok for that one.We'll link the youtube once its live.
In other sessions Jim Dickson(The New Christs) is about to start a new side project tracking over the weekend.
Heavy Rockers HAZMAT have been back for some time now working on their second album to follow their debut also recorded and mixed at DG's.
A couple of our recent artists have been finding an Audience outside of the country with Big White perfoming at SXSW earlier this month and Daxton scoring 5 star reviews in some USA blogs for
his Sweetlips rock project as well as a local Hit Pick for his solo Blues Project.
DG's has also had a recent Number 1 on the Itunes Blues Charts for Alex Bowen who recorded and mixed in December and was mastered by Willy Bowden in January.....
His song The Book Of Life beat out Ben Harper and Otis Redding on its first day of release.
Finally another recent session is scoring goals around the country, Dali and The Paperband, who tracked on remote Bruny Isle down in Tassy and then mixed and mastered at DG's,  have an east coast tour booked in April to support their EP aptly named 'Island'(MGM)

.

Vocal Recording Tips


Tech Talk - Recording Vocals
Following on from the drum articles heres some tips on the MOST important thing you will record in a normal music session-

Lead Vocal Overdubs is arguably the single most important Overdub of any song that has a lyric and vocal component Because

1-    Even in copyright terms lyrics and melody count for 50% of any musical work

2-    The vocal/lyric is what most people respond to when listening to songs – it is that which evokes an emotional response from the listener.

So in view of that I believe some thought, time and effort should be put into approaching this in the correct way, prioritizing and maximizing the vocal performance of any recording.
Here are some less technical  thoughts to be aware of when working with singers;
*Their voice is the instrument, its not something external like a guitar, so if they are tired, hungry, bored, uncomfortable in any way it will affect the performance more drastically than other players.
*The singer is often the most self conscious band member (especially if the lyricist as well) so singing under a bright  flouro light with 5 other guys and girlfriends  staring at them through the control window is probably not a good idea.
.

Read more: Vocal Recording Tips

Welcome Antelope Orion

As part of our 30th year in business we have recently upgraded the mai Pro Tools Interface in Studio A to the latest Antelope Orion 192 Khz 32 I/O.

The Converter has received rave reviews around the planet and having now used the beast for just a few weeks we have to agree.

More ins and outs than you poke a stick at and a really accurate internal clock, great converters and a solid build all amounts to a far superior A-D /D-A solution then before.

.

JOIN OUR MAILING LIST

Email address:

First Name:

Last Name:


 
Scroll to Top